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“Classic avoidant-anxious push-pull,” Theo continued, stealing the binoculars back. “Aster fears enmeshment; Larkspur fears abandonment. They climb the same walls because physical risk feels safer than emotional vulnerability.”
No, Madeline does not slap another woman across the face while a disco ball spins. But she does scream into the void, chase her double through a collapsing temple, and finally, tearfully, accept that the shadow is not her enemy but her partner. In the end, the summit is not the goal. The relationship is. “Classic avoidant-anxious push-pull
