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A joyous, chaotic look at the 1980s B-movie studio run by two Israeli cousins who made 200 films in 15 years (including Masters of the Universe ). It asks: Is it better to fail safely or risk everything?
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Consider Leaving Neverland . It was a powerful indictment of abuse, but it also posthumously damned an artist who could not defend himself. Or consider the wave of "quiet on set" documentaries about The Amanda Bynes Show or iCarly —they claim to protect child actors, yet they re-traumatize them on camera for ratings. A joyous, chaotic look at the 1980s B-movie
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