Cinematographer Oliver Stapleton drenches the film in golden hour light. The canals are turquoise, the palazzos are coral and cream, and the masks of Carnevale are a riot of silver and red. The production design by David Crank is deliberately theatrical. The piazzas are wide, the balconies are accessible, and every alleyway leads to a chase sequence.
The screenplay by Jeffrey Hatcher and Kimberly Simi cleverly avoids glorifying Casanova as a simple womanizer. Instead, the presents him as a man who loves love itself. He isn't a predator; he is a giver of pleasure. The film's thesis arrives when Francesca asks him, "Why do you seduce women?" He replies, "To make them happy. For a moment, to make them forget the dreariness of their lives." This humanization turns a historical rake into a romantic hero. casanova -2005 film-