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(starring Meryl Streep, 71; Dianne Wiest, 72; and Candice Bergen, 74) and French Exit

The progress is real, but it is not evenly distributed. The "mature woman" renaissance is largely a white, upper-middle-class phenomenon. Look at the statistics: women of color over 50 remain virtually invisible outside of stereotypical "grandmother" or "spiritual guide" roles (though How to Get Away with Murder ’s Viola Davis and The Woman King ’s cast are notable, thrilling exceptions). Furthermore, the industry still struggles with body diversity among older women; the acceptable older actress is typically one who has "aged well" (i.e., remains thin and has had access to excellent dermatology).

The landscape for mature women in entertainment has shifted from an era of near-total erasure to a vibrant modern renaissance where "women of a certain age" are no longer just the "sweet grandmother" or "bitter crone," but the main event. The Historical "Cliff"