Purpose and Target Audience
For the vocalist, the exercises in the Cantanti section are not merely tests of sight-reading; they are technical etudes. Poltronieri constructs melodies that often lie in the passaggio (the transition area between chest and head voice), forcing the student to negotiate register shifts without breaking the tonal line. Furthermore, the rhythmic complexity of the Parlati exercises demands deep concentration. A student attempting to speak a complex rhythmic pattern while maintaining a steady beat is engaging the same mental faculties required to learn an operatic recitative. Thus, the book is a tool for cognitive musical development as much as it is for vocal conditioning. Nerina Poltronieri Solfeggi Parlati E Cantanti 2 Corso Pdf
For students outside of Italy, physical copies can be difficult or expensive to import. Digital versions provide immediate access to world-class pedagogy. Purpose and Target Audience For the vocalist, the
Focuses on rhythmic precision and the correct naming of notes without singing. Solfeggi Cantati (Sung Solfeggio): A student attempting to speak a complex rhythmic
For every "parlato" exercise, do not touch the piano. Clap the rhythm and speak the syllables on a monotone pitch. Use a metronome at 60 BPM. Only when you can do this perfectly three times in a row should you move to the sung version.