Resident Evil- Welcome To Raccoon: City

: The film’s heavy use of 1998 period markers (Walkmans, Pagers, 90s alternative music) to ground the story in its original era. IV. Character Reimagining and Criticism

: As Umbrella pulls out, they leave behind a brewing biological disaster. Residents begin turning into bloodthirsty monsters due to a T-Virus outbreak in the water supply. Resident Evil- Welcome to Raccoon City

“Typical,” she muttered, shouldering her duffel bag. : The film’s heavy use of 1998 period

Roberts utilizes a distinct 1998 aesthetic—grainy film stock, muted colors, and an overwhelming sense of dampness. When the characters enter the Spencer Mansion, the production design team deserves a standing ovation. The hallways are recognizable, the dining room is perfectly staged, and the lighting creates that specific feeling of dread that players felt in 1996. ” she muttered