The turning point was Hearts of Darkness: A Filmmaker's Apocalypse (1991). Using Eleanor Coppola’s raw footage and audio diaries, it depicted Francis Ford Coppola’s nightmarish production of Apocalypse Now —suicide attempts, heart attacks, typhoons, and ego-driven madness. It was the first major documentary to show that , is often the engine of genius. This opened the door for films like Lost in La Mancha (2002), which chronicled Terry Gilliam’s failed Don Quixote film, and Overnight (2003), a brutal takedown of The Boondock Saints writer/director Troy Duffy’s hubris.
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To truly understand the breadth of this movement, one must look at the specific niches where the entertainment industry documentary thrives. The turning point was Hearts of Darkness: A
The show must go on. Not because it is true, but because we cannot bear the silence. This opened the door for films like Lost