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The New Wave (circa 2010–present) has dismantled the matinee idol. Films like 22 Female Kottayam (2012) tore apart the idea of the romantic hero, replacing him with a rapist. Kumbalangi Nights gave us the first mainstream portrayal of emotional vulnerability among men. Joji (2021), an adaptation of Macbeth , transferred the tragedy of ambition to a dysfunctional Keralite family caught between modern greed and feudal respect.
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