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That changed in the late 1990s with films like Lost in La Mancha (2002), which documented Terry Gilliam’s failed attempt to make The Man Who Killed Don Quixote . For the first time, a mainstream documentary showed that making movies is not magical—it is chaotic, expensive, and often miserable. It was the first crack in the veneer. Truth in the Age of AI: Upholding Journalistic Integrity
