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Kuznetsova (2019) and Melnichuk (2022) document the contested cultural memory of the Azov Sea region, emphasizing the interplay between industrial decay, maritime folklore, and geopolitical tension (particularly after 2014). Film scholars (e.g., Vovk, 2023) note that contemporary Ukrainian auteurs use the sea as a metaphor for liminality and resilience. azov films summer autumn winter 1avi new