The history of the first Mizo Christian hymns is a foundational chapter in the cultural and spiritual evolution of
: The first hymns by Mizo authors were included in the collection, featuring the works of Thanga (Upa) and Chhuahkhama (Rev) mizo kristian hla hmasa ber fixed
tih hla hi a ni. He hla hi sap hla "Come Holy Spirit, Heavenly Dove" tih atanga lak (translation) a ni a. Kum 1899 khan Kristian Hla Bu hmasa ber chu tihchhuah a ni a, chutah chuan hla 18 a awm a, he hla hi a hmasa ber (No. 1) a ni nghe nghe. Hla Bu Hmasa Ber Chanchin: A chhuah kum: Calcutta (tuna Kolkata). A chhunga hla awm zat: Hla 18 chauh a awm. A lettu leh phuahtute: The history of the first Mizo Christian hymns
Mizo Kristian hla hmasa ber chu (tuna kan hman danah chuan "Isua Vanah a awm a" ) a ni a, he hla hi kum 1899-a tihchhuah Kristian Hla Bu hmasa ber (Hla Bu) phek hmasa berah a chuang a ni. Hla Bu Hmasa Ber Chanchin 1) a ni nghe nghe
Original Mizo Christian compositions began to emerge more prominently from 1919 onwards . Poets like Patea (1894–1950) Saihnûna (1896–1949) were among the first to diverge from strict Western styles. The Birth of Lêngkhâwm Zai A significant evolution in Mizo hymnody was the birth of Lêngkhâwm Zai
Krista a tlawm ve, A hawile nawl e, Chutiang chuan ka kal ang e, Ram thar awmna-ah, Hlimna tlang chuah a ni, Chutiang chuan ka kal ang e.