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Example: Marvel’s Eternals — tried to bring auteurist cinematography and philosophical scope to the superhero template. Its “failure” wasn’t just box office; it revealed how deeply the commodity form resists artistic deviation.

Audiences now want both at once. Hence the rise of “sad-coms” ( Fleabag , BoJack Horseman ) and “hopepunk” ( The Good Place , Ted Lasso ) — shows that acknowledge darkness but don’t surrender to cynicism. vixen160618ninanorthgettingevenxxx1080