Defoe’s original novel is a text of empire: domination over nature, ownership of land, and the taming of the "savage." Sin Island reverses this. The "civilized" Crusoe is clumsy, anxious, and miserable. He tries to build a calendar. He tries to build a stockade. He fails. The women of the island have no concept of private property, jealousy, or shame. The film subtly (or not so subtly) suggests that Western guilt and possessiveness are the actual "sins."
As the story unfolds, the women begin to explore their own desires and sexuality, leading to a series of erotic and comedic events. The film's plot is not meant to be taken seriously, and it revels in its own absurdity. The movie's tone is lighthearted and playful, making it an entertaining watch. -Private Gold 72- Robinson Crusoe On Sin Island...