The so-called "New Wave" or "Parallel Cinema" resurgence of the 2010s—led by filmmakers like , Lijo Jose Pellissery , and Mahesh Narayanan —has bulldozed these silences. Maheshinte Prathikaaram (2016) is a brilliant capoeira-style revenge drama that is actually a deeply nuanced study of the Ezhava community's pride and identity in Idukki. Ee.Ma.Yau (2018) uses the funeral rites of a poor Latin Catholic fisherman to deliver a scathing, absurdist critique of priesthood, money, and death.
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