ÊÕÑíÍ æÒÇÑÉ ÇáËÞÇÝÉ æÇáÅÚáÇã ÑÞã ã ä / 154 / 1432


ÇáÚæÏÉ Â  ÔÈßÉ ÇáÈÑÇÑí > ãäÊÏíÜÜÇÊ ÇáÈÑÇÑí ÇáÚÇãÜÜÜÉ > ãäÊÏì ÇáãæÖæÚÇÊ ÇáÚÇãÉ



 
 
ÃÏæÇÊ ÇáãæÖæÚ

Orihara’s work is slower. It demands you put your nose close to the glass. In her "Transparent Bodies" series, she layers sheets of gampi tissue paper over discarded love letters. She then uses a sewing machine without thread to perforate the paper along the lines of the handwriting. The result is a lacework of holes—the text is "there" only because of the absence of paper. You read the letter through the void.

Commissioned by the John F. Kennedy Center for the Performing Arts, this ensemble piece for nine dancers is widely considered Orihara’s breakthrough. The work explores the Japanese concept of ma (negative space). Dancers enter and exit from unexpected corners of the stage, leaving "ghost limbs" in the air. The New York Times described it as "a meditation on absence that somehow feels more full than any spectacle."

If you are interested in Japanese HR trends, career development strategies in Asia, or the evolving role of women in Japanese management, her work is a highly recommended resource.

Yukari Orihara Work [LATEST]

Orihara’s work is slower. It demands you put your nose close to the glass. In her "Transparent Bodies" series, she layers sheets of gampi tissue paper over discarded love letters. She then uses a sewing machine without thread to perforate the paper along the lines of the handwriting. The result is a lacework of holes—the text is "there" only because of the absence of paper. You read the letter through the void.

Commissioned by the John F. Kennedy Center for the Performing Arts, this ensemble piece for nine dancers is widely considered Orihara’s breakthrough. The work explores the Japanese concept of ma (negative space). Dancers enter and exit from unexpected corners of the stage, leaving "ghost limbs" in the air. The New York Times described it as "a meditation on absence that somehow feels more full than any spectacle." yukari orihara work

If you are interested in Japanese HR trends, career development strategies in Asia, or the evolving role of women in Japanese management, her work is a highly recommended resource. Orihara’s work is slower


Powered by vBulletin .
ÌãíÚ ÇáÍÞæÞ ãÍÝæÙÉ © áÔÈßÉ æãäÊÏíÇÊ ÇáÈÑÇÑí 2010