The film’s greatest asset is its . The cinematographer, Miloš Jovanović , frames the car interior with a mix of tight close‑ups (the worn leather, the vintage speedometer) and wide shots through the windshield that juxtapose the cramped cabin against expansive landscapes. The muted pastel palette of the city gives way to saturated blues and golds on the coastal road, mirroring the emotional thaw between the characters.
★★★★☆ (4 out of 5 stars)
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