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The show tonight was called The Cut Live . A production company had reverse-engineered her entire ethos into a high-stakes spectacle. Twelve "curators" sat in glass booths around the stadium floor, each given access to a firehose of raw footage from around the world—live feeds from traffic cams, doorbells, bodycams, baby monitors, dashcams, all unspooling in real time. They had sixty minutes to find one moment. One true, unscripted, beautiful or brutal or hilarious moment. Then they would defend it. And the crowd would vote.

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