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This paper examines the under-researched category of Juegos de Doraemon (Doraemon games) as a significant subset of Japanese transmedia franchising, with a specific focus on content associated with the character Shizuka Minamoto and the licensing frameworks of Shogakukan-Shueisha Productions (colloquially "Shizu Pro"). While Doraemon is globally recognized as an anime and manga staple, its interactive digital adaptations—ranging from 1980s Famicom titles to modern mobile and Nintendo Switch releases—serve as crucial vectors for cultural transmission, language learning, and gendered play patterns. Using a mixed-method approach of content analysis and reception studies, this paper argues that Doraemon games function as "pedagogical nostalgia engines," balancing educational mechanics (problem-solving, empathy) with commercial franchising goals. The role of Shizuka, often relegated to a damsel or healer archetype, reveals persistent gendered logics in children’s interactive media.

Shizuka’s Animal Rescue