What unites these portrayals—from Lawrence’s smothering Mrs. Morel to Hitchcock’s corpse-mother, from the grieving Clara Copperfield to the monstrously devoted mother of Lee Chang-dong—is a single truth. The mother-son bond is the first human relationship, and thus the template for all others. It is where we learn safety, and where we first risk loss.
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The best works— Sons and Lovers , Psycho , Moonlight —refuse easy morality. They understand that the mother-son knot is not a problem to be solved but a mystery to be inhabited. And as long as there are mothers and sons, there will be stories about the beautiful, terrible, and unbreakable thread that binds them. It is where we learn safety, and where we first risk loss